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Space Ritual is the absolute epitome of this sound, a raging black slab of proto-punk blazing a trail through the vastness of the cosmos, the sheer exhilaration of its musical brute force counter-balanced lyrically by an unsentimental vision of our place in the universe. Experimental but never inaccessible, dense as hell but never dumb, Space Ritual still sounds like nothing else on Earth. It’s also worth noting that this album wasn’t a niche concern in 1973. It got to number nine in the UK charts (Hawkwind’s only top ten LP), and was culled from a series of shows that really pushed the boundaries of what live rock music could be in terms of an audio-visual event.

'Silver Machine' might appear in retrospect to be some kind of fluky hit from the previous year, but as Lemmy says in Carol Clerk’s Saga of Hawkwind biog, “in the freak scene, we were fucking huge”. Essential Visuals Plugin For Virtual Dj Crack Keygen. And the success of the single was what enabled to Hawkwind to finance these ground-breaking shows. Housed in a non-more-awesome day-glo fold-out sleeve depicting a hermaphrodite messiah figure flanked by two heraldic star cats, Space Ritual presents the recording of a show in its (near) entirety – this is in contrast to pretty much every other live album of the time, which tended to be an excuse to re-heat a band’s most popular songs and subject the listener to interminable drum solos. It also features at least an album’s worth of material unavailable elsewhere i.e.

The versions on Space Ritual are the definitive versions, not just live takes of previously-recorded songs. Much of the rest of the material comes from Doremi Fasol Latido, and with the possible exception of one track ('Space Is Deep'), these songs are greatly improved by the experience. So, to the music. As I said earlier, the first thing you notice about Space Ritual is that it just doesn’t sound like anything else you’ve heard before. I remember as a callow 13-year-old getting it out of the local library and being both amazed and rather flummoxed by the noise coming out of my Fidelity stereo – muggy, almost claustrophobic, but also insistent and driving, with disquieting spoken word pieces that enhanced the feeling of listening in to a secret transmission from a parallel dimension. Fading up out of a ghostly echo of 'Thus Spake Zarathustra' (used to iconic effect in 2001: A Space Odyssey), 'Earth Calling' is a revving of the engines before take-off, screams of what sounds like alien glossolalia gradually subsumed by the rising rumble of bass, drums and guitar.